Impact Youth Subcultural Lifestyles and Values Essay

Impact Youth Subcultural Lifestyles and Values - Essay Example The essay "Impact Youth Subcultural Lifestyles and Values" explores how fashion and music influence on the lifestyles and values. Both fashion and music suffered similar fate. Fashion seemed inclined to consider designer labels more important to wearability of the clothes. In music, post-modernism allowed the â€Å"collage, pastiche and quotation,† a hodgepodge way of creating music erasing the distinction between music genres. But superficial or not, music and fashion would definitely affect the cultural language and dynamics of contemporary youth. Mcrobbie (1994) wrote about the power and influence of music on fashion of youth but the result was contrary to what many would perceive as sexist. Shabba Ranks, a raggae / pop music crossover musician created a rage called Ragga girls (p.183). This created a sensation in the 1990’s when Ragga girls would be taken up not only by black girls but Asians and Caucasians. Along with the music was a distinct fashion sense that sep arated Ragga girls from the mainstream. The Ragga girls wore the hair â€Å"scraped back tightly into buns, wearing gold jewellery, trainers, leggings and fake-fur winter coats†. Examining the content of the song, many observed that the lyrics include sexist and homophobic contexts. The cultural interpretation of the Ragga girls, however did not conform to what was observed. Instead, an alternative value on the power of the female sex and pleasure emerged. The dance routines that go with the Shabba Ranks music was considered explicit. also considered sexually explicit and bordering on the obscene. However, Mcrobbie (1994) would provide another explanation for the behaviour. The girls were merely expressing "the rhetoric of a proud young female sexuality. " It is "combined with the sheer physical enjoyment of dance, working together to produce a euphoria of pleasure and of power" (p.184). The above example presented evidence that subculture of fashion and music was a departure from the frame of cultural contexts and values. Fashion and Music: A Postmodern Construct The youth category on cultural and sociological research lacks appropriate definition and orientation. The classification of youth can differ from culture to culture. For example, preadolescent individuals and people in their 30's and 40's may comprise the youth sector of a given cultural context. The distinction may also be derived from chronology or cultural position (Bucholtz 2002,p.526). The youth represents a segment of society that many sociologists and anthropologists consider as innovative. The youth may work inside or outside the system depending on the situation. Traditional views consider the youth subculture were consequences of the working-class consciousness where emergent subculture was "authentic and in the first instance at least uncontaminated by an avaricious commercial culture" (Mcrobbie 1994, p.179). The presumption is no longer applicable as today's complex social systems of mass media, commercial culture and the state (p.179). The proliferation of fashion and music purported to be rebellious expression of the youth against control and authority would in fact be more congruent with Michle Barrett's observation that youth subculture is a product of "turn[ing] to culture and the 'processes of symbolization'" (p.179)